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Been Listening
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Album: Been Listening
# Song Title   Time
1)    Kentucky Pill
2)    Lost and Found
3)    Churlish May
4)    Been Listening
5)    Barnacled Warship
6)    Sweet William, Pt. 2
7)    Water, The
8)    Howl
9)    Agnes
10)    Amazon Love
11)    Prizefighter and the Heiress, The
12)    Mountain Is Burning, The
13)    Trains
14)    Sweet William
15)    Drum
 

Album: Been Listening
# Song Title   Time
1)    Kentucky Pill
2)    Lost and Found
3)    Churlish May
4)    Been Listening
5)    Barnacled Warship
6)    Sweet William, Pt. 2
7)    Water, The
8)    Howl
9)    Agnes
10)    Amazon Love
11)    Prizefighter and the Heiress, The
12)    Mountain Is Burning, The
13)    Trains
14)    Sweet William
15)    Drum
 
Product Description
Product Details
Performer Notes
  • Audio Mixer: Ryan Hadlock.
  • Recording information: Bear Creek Studio; Rhubarb Studios; The Fortress; Werewolf Studios.
  • Arrangers: Lillie Flynn; David Beauchamp; Adam Beach; Johnny Flynn; Joe Zeitlin; James Math‚; The Sussex Wit.
  • Johnny Flynn spends half his time working as a Shakespearean actor, and the other half recording folksy, old-world music that takes its cues from the Elizabethan era. Been Listening, the follow-up to his 2008 debut, also throws some modern influences into the mix, resulting in a combo of traditional British folk and quirky, contemporary roots music. For a genre that relies so heavily on stringed instruments -- namely fiddle, banjo, and acoustic guitar -- there's certainly a lot of brass here, with Flynn picking up his trumpet during at least half of the songs. There's also a healthy debt to the crossover-folk movement that swept through England during the first half of 2010, which puts Flynn in the same league as nu-folksters like Mumford & Sons, Laura Marling (who sings harmony on "The Water"), and Noah and the Whale. Been Listening is somewhat softer than those artists; rather than build up to a soaring climax, most of these songs chart a steady course instead, with melody and mood being emphasized over spectacle. Johnny Flynn knows when to give his listeners a break, though, and the one-two punch of "Howl" and "Agnes" helps rustle up some sweaty energy, which keeps the album moving in its second half. ~ Andrew Leahey
Professional Reviews
Mojo (Publisher) (p.104) - 3 stars out of 5 -- "Horns and Afro drumbeats inaugurate the album with `Kentucky Pill,' and passages of lachrymose electric guitar help to mourn the demise of music on the title track..."

Uncut (magazine) (p.106) - 3 stars out of 5 -- "[The album] has authentic Britfolk qualities....[Flynn is] blessed with an English-accented tenor and a flair for fiddle and banjo-augmented arrangements."
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